{"id":3435,"date":"2024-09-24T00:38:07","date_gmt":"2024-09-24T00:38:07","guid":{"rendered":"https:\/\/connectionsnmhi.ualberta.ca\/?page_id=3435"},"modified":"2024-10-07T15:50:58","modified_gmt":"2024-10-07T15:50:58","slug":"armstrong-2-2-2-2-2","status":"publish","type":"page","link":"https:\/\/connectionsnmhi.ualberta.ca\/?page_id=3435","title":{"rendered":"Beverley Hood"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background alignwide\" style=\"background-color:#c7ef00;color:#c7ef00\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/09\/beverley-hood.png\" alt=\"\" class=\"wp-image-3436\" srcset=\"https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/09\/beverley-hood.png 1000w, https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/09\/beverley-hood-300x300.png 300w, https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/09\/beverley-hood-150x150.png 150w, https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/09\/beverley-hood-768x768.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\" id=\"vortex\">Beverley Hood<\/h2>\n\n\n\n<p class=\"has-small-font-size\">Beverley Hood is an artist and Reader in Technological Embodiment and Creative Practice, at Edinburgh College of Art, University of Edinburgh. Since the mid 1990\u2019s, she has interrogated the impact of technology and science on the body, relationships and human experience through the creation of digital media and performance arts projects. She has worked collaboratively on numerous occasions, developing projects involving a range of practitioners, including medical researchers, scientists, writers, technologists, dancers, actors and composers. Beverley creates complex, multi-component artworks that have been performed, screened and exhibited at international galleries, museums and events.<br><br><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:5vh\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"501\" data-id=\"3177\" src=\"https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/08\/beverley-hood-immobile-choreography.jpg\" alt=\"still from immobile choregraphy by beverley hood\" class=\"wp-image-3177\" srcset=\"https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/08\/beverley-hood-immobile-choreography.jpg 750w, https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2024\/08\/beverley-hood-immobile-choreography-300x200.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/connectionsnmhi.ualberta.ca\/?page_id=1700\"><img loading=\"lazy\" decoding=\"async\" width=\"116\" height=\"35\" src=\"https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2022\/03\/arrow-L.png\" alt=\"\" class=\"wp-image-869 size-full\"\/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left has-large-font-size\"><a href=\"https:\/\/connectionsnmhi.ualberta.ca\/?page_id=1700\" data-type=\"page\" data-id=\"1700\">Anne Cavanagh<\/a><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px\">\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 15%\"><div class=\"wp-block-media-text__content\">\n<h4 class=\"wp-block-heading has-text-align-right\"><a href=\"https:\/\/connectionsnmhi.ualberta.ca\/?page_id=3421\" data-type=\"page\" data-id=\"3421\">Brad Necyk<\/a><\/h4>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/connectionsnmhi.ualberta.ca\/?page_id=3421\"><img loading=\"lazy\" decoding=\"async\" width=\"116\" height=\"35\" src=\"https:\/\/connectionsnmhi.ualberta.ca\/wp-content\/uploads\/2022\/03\/arrow-R-1.png\" alt=\"\" class=\"wp-image-870 size-full\"\/><\/a><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beverley Hood Beverley Hood is an artist and Reader in Technological Embodiment and Creative Practice, at Edinburgh College of Art, University of Edinburgh. Since the mid 1990\u2019s, she has interrogated the impact of technology and science on the body, relationships and human experience through the creation of digital media and performance arts projects. She has&hellip; <a class=\"more-link\" href=\"https:\/\/connectionsnmhi.ualberta.ca\/?page_id=3435\">Continue reading <span class=\"screen-reader-text\">Beverley Hood<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":353,"menu_order":60,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3435","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=\/wp\/v2\/pages\/3435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3435"}],"version-history":[{"count":4,"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=\/wp\/v2\/pages\/3435\/revisions"}],"predecessor-version":[{"id":3645,"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=\/wp\/v2\/pages\/3435\/revisions\/3645"}],"up":[{"embeddable":true,"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=\/wp\/v2\/pages\/353"}],"wp:attachment":[{"href":"https:\/\/connectionsnmhi.ualberta.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}